Project Description
Carlos Cruz-Diez
Born 1923, Venezuela
“Art is a complex structure of communication, expression, discovery, invention.”
Born in Caracas, Carlos Cruz-Diez first studied art at the Escuela de Artes Plásticas y Aplicadas from 1940 to 1945. While studying there, he participated in a lively discussion group which included artists Jesús-Rafael Soto and Alejandro Otero, key figures of the Venezuelan kinetic art movement. He was also influenced by his study of impressionism, as it applied to experiments with color. In his earliest work, Cruz-Diez painted figurative canvases intended to reflect and comment upon social issues. In 1954, influenced by his study of the Bauhaus and the European avant-garde, Cruz-Diez created his first abstract and interactive projects. A year later, he began a series of Objetos rítmicos móviles that consisted of multicolored, movable figures made from wood and, in 1957, he began experimenting with colored light. His first Physichromie–translated as “physical color” these works explore the physical dimension of color–was made in 1959. The following year, Cruz-Diez and his family moved to Paris, where he met Argentine artist Luis Tomasello, and members of the Groupe de Recherche d’Art Visuel, and he quickly became an important member of the artistic communities there.
In 1971, Cruz-Diez established his workshop on the rue Pierre Sémard, in a former Belle Epoque-era butcher’s shop. From that workshop, where he continues to work, he pursued his explorations of color and light with Physichromies, Chromosaturations, Chromo-interference Environments, and large-scale public projects, all of which were developed as investigations into visual and perceptual experiences of color. The artist describes his Chromosaturation series as the exploration of an often-unnoticed reality: “That reality (which I consider visible) leads us along other paths, both perceptive and sensory, to parallel ideas of beauty and sublimation.” Cruz-Diez is internationally considered a master artist of the 20th and 21st centuries for his contributions to the theory and practice of color.
Cruz-Diez’s body of work mainly consist of the following categories: His initial investigations, Addition Chromatique, Physichromie, Chromointerférence, Transchromie, Chromosaturation, and his architectural and urban interventions in space.
The Venezuelan American Endowment for the Arts (VAEA) has the honor to bestow the Paez Medal of Art to Carlos Cruz-Diez in 2012.
For more information on Cruz-Diez visit his official website Click Here
- Superficie en movimiento 1, Museum of Fine Arts, Houston, USACaracas, Venezuela, 1957
- Doble animación de un plano, Museum of Fine Arts, Houston, USACaracas, Venezuela, 1959
- Amarillo Aditivo, Museum of Fine Arts Houston, USACaracas, Venezuela, 1959
- Couleur Additive, 1964 Recherche d’atelier Paris, France,
- Fisicromía 2, 1959 Daros Latinamerica Collection, Zurich
- Physichromie 23, 1961 Museum of Fine Arts, Houston, USA
- Physichromie 625, 1973 Paris, France
- Physichromie 625, 1973 Paris, France
- Couleur Additive 30, 1983 Museum of Fine Arts, Houston, United States
- Chromointerférence V12, 1970 Museum of Fine Arts, Houston, USA Cruz-Diez Foundation, Houston
- Transcromía Mecánica Aleatoria, 1973 Banco Nacional de Descuento, Caracas, Venezuela Arch. Francisco Pimentel, Bernardo Borges
- Chromosaturation, 1989 at the “Aventuras de la Óptica. Soto y Cruz-Diez” exhibition Palace of the Counts of Gabia, Granada, Spain
- Chromosaturation, 2003 Exhibition “De lo Participativo a lo Interactivo. Otra Noción del Color” L’Almodí, Exhibition Hall, Valencia, Spain
- Ambientación de Color Aditivo Simón Bolívar International Airport, Maiquetía, Venezuela Arch. Felipe Montemayor, Luis Sully
- Chromosaturation pour un lieu public Odeon subway exit, Bd. 1969 Saint Germain, Paris, France
- Color Aditivo Avenida, 1975 Principal de Sabana Grande and other avenues, Caracas, Venezuela
- Fisicromía Cóncavo-convexa. Homenaje a Don Andrés Bello, 1982 Plaza Andrés Bello, Caracas, Venezuela Arch. Manolo Silveira Caracas, Venezuela, 1957
- Environnement Chromointerférent, 2012 Exhibition “Cruz-Diez: Color in Space”, Jeonbuk Province Art Museum, South Korea.
- Transchromie manipulable Mexico City, Mexico, 2013 Transchromie intalled in a private residence.
- Modulación sustractiva Academia Merici, Caracas(In construction) 2014